Baron Corvo

To only speak about Corvo's work in terms of transgression, seems then to be missing the point and neglect the light, often pun-like humor which disarms the violence inflicted by transgression. As we saw, Corvo seems more interested in moving between two terms, or following a side-track, than with the actual crossing of boundaries. The images of dream, of the spirit, are ideal surfaces, that is to say without a reverse side, without anything ‘verso’. Their depth lies in their extent, their succession and their surpassing.